Wonder Woman Breaks Box Office Records, Opens Bigger than Any Other Film Directed by a Woman
By Matthew Dessem
Gal Gadot climbs the box office ladder.
Clay Enos/Warner Bros.
Wonder Woman, the latest film from Monster director Patty Jenkins, grossed $100.5 million domestically in its first weekend, the biggest opening in history for a movie directed by a woman, Variety reports. Internationally, Wonder Woman made another $122.5 million—including $38 million in China—for a total global take of $223 million. Second place for the weekend went to a superhero movie of a different sort, Captain Underpants: The First Epic Movie, which opened to $23.5 million domestically.
The previous record-holder for a movie directed by a woman was Sam Taylor-Johnson’s Fifty Shades of Grey, which pulled in $85 million domestically in its first weekend back in 2015. Catherine Hardwicke’s Twilight rounds out the top three, with a $69.6 million opening weekend in 2008. Wonder Woman is also the biggest opening for a superhero film about a woman, but since the competition are box office bombs like Catwoman ($16.7 million), Elektra ($12.8 million) and Supergirl ($7.7 million), it beat those records by Friday night.
It’s not the biggest opening in the DC Extended Universe—both Batman v Superman and Suicide Squad brought in more—but Wonder Woman, unlike past entries, is rapidly acquiring a reputation as a good movie. It remains to be seen whether this will translate to a strong second weekend—it’ll face off against The Mummy with Tom Cruise and another female-directed film, Gabriela Cowperthwaite’s Megan Leavey—but it certainly won’t hurt.

Meanwhile, Hollywood continues to resist the idea of hiring women to direct movies; the most recent study from USC’s Media, Diversity and Social Change Initiative showed “no meaningful change in the prevalence of female directors across the top films from 2007 to 2016.” But after this weekend, studios have 223 million good reasons to change.
WW的电影大卖，周末票房美国国内 $100.5MM，全球 $223.5 million，破了铁人，美队，thor1、2等等，也是有史以来女导演的最高票房，各媒体一遍赞扬声，
呃，没啥，就是在BVS中给WW圈粉了，WW电影大卖有点高兴而已。

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这次不只泥潭，嗯基爱，艾斯一，虎扑，基本都是统一调调，说到底还是国内漫威电影粉丝的基数太大，而国外漫迷的对立情绪没那么严重，见那些漫迷影评人家中的陈设基本两家都是有的，绝不会为了支持一方而毫无下限的去踩另一家。

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这要感谢大屁股

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没看明白而已
看那几个常见的差评点
什么圣母幼稚 抗德神剧 boss嘴炮 小队不仅弱逼还没弧光
这都典型看反创作意图的
跟之前什么get out只有政治正确差不多意思
以至于懒得多说 一点儿也不想跟这儿聊这片

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刚看完，有点失望，唯一的亮点就是加朵太美，整个故事挺一般的，
号称高潮的脱衣战壕特效也比较假
最终战也就是扔扔东西发个激光就赢了
看得出是综合了多方意见各种妥协的作品

一战抗德也叫政治正确么，都一路货色好么

引用:

原帖由 zhujiajun 于 2017-6-5 10:22 发表
绝不会为了支持一方而毫无下限的去踩另一家

嗯嗯，说得好

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一个想法，不一定对
泥潭也并不是所有的片子都反向
比较容易反向的出现在6-7分的片子和7-8分的片子
6分以下，人人喊打，没什么可说的
9分以上，神片，或者小众，不敢说什么

泥潭炸裂的环太平洋，侠盗一号，在我看来就是6-7左右的
泥潭争议比较大的，WW，降临，get out，大概都是7-8左右的，这些片子优缺点都很明显，因为优点突出所以获得口碑。但是可能不是所有人都能get到有点部分，那么缺点部分自然就被放大了
（这里评分指的都是metascore评分）

之所以反向指标经常出现，可能和泥潭6-7分的影片受众人数稍微多一些。
而7-8分属于不喜欢，又不像9分左右或者以上公认神作，不太敢直喷（比如lalaland，也有人说，但是就比较少了）。

本帖最后由 夏青 于 2017-6-5 21:55 通过手机版编辑

不仅本坛，国内票房也是反的，现在还不到三亿，而海盗都快十亿了，女侠只能望尘莫及。

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自杀小队最渣，国内零票房，还是作妖记最牛，秒杀所有超级英雄电影，支持国产！

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我是真没明白最后believe in love的逻辑。

我很喜欢BVS的调调啊，虽然线索是有些打乱过头，WW感觉就是美队1的水平

主要应该还是这个人物国内基础不行啊
说不定如果是拍个真人版的希曼和希瑞，雷神和加多联手，70，80后直接买票不废话，这票房说不定就炸了

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好像漫威那些人物就有基础似的，很多还不是电影上映了才关注这么个角色。还有天天漫威dc什么的就搞笑，我身边那些朋友就没一个关心也不知道漫威和dc有什么区别，一说片子不好看就先盖帽子实在搞笑